RED VS BLUE
(Sam Meech, 2018)

Two coloured feedback systems trying to exist in the same space, become entangled in a visual dance, that in turn manipulates a textural synth noise-scape. Created using video feedback techniques combined with live digital processing, as Red vs Blue develops we see emergent complexity and patterns froming from the chaos of the visual ripples and temporal stutter. A film shaped by the screen itself.